A retail concept for an after-hours gallery space, where the identity had to work in low light and on surfaces that were never flat.

Night Gallery opens when everything around it closes. That single fact drove the work: the identity had to survive low light, reflective glass and the fact that most visitors arrive already looking at their phones.
We designed the type at the size it would actually appear on the facade and worked backwards, then built a palette tested under the venue's own lighting rather than on a calibrated monitor.
The system covers exterior signage, ticketing, the printed programme and a wayfinding language that works from across a dark room.

Early exploration
Night Gallery opens when everything around it closes. The identity had to survive low light, reflective glass, and the fact that most visitors arrive already looking at their phones.
The previous brand had been designed on a calibrated monitor and specified for daylight. On site, at night, it disappeared.

Working through the structure
We designed for the room first and the screen second, which reversed the usual order and changed most of the decisions.
The identity now does its work at the hour the gallery is actually open, which is the only test that mattered.

The finished system